Bibliographical Society

2014 Winner Places in National Competition

Congratulations to Audrey Golden who has been named third prize winner in the National Collegiate Book Collecting Contest for her entry, “Pablo Neruda and the Global Politics of Poetry.”

Audrey Golden at Pablo Neruda's Valparaíso, Chile home, La Sebastiana.  The four-story house sits at the top of one of the highest streets in the city, and its windows overlook the buildings and water below.  La Sebastiana is one of three homes owned by the poet, with the others located in Santiago and Isla Negra."

Audrey Golden at Pablo Neruda’s Valparaíso, Chile home, La Sebastiana. The four-story house sits at the top of one of the highest streets in the city, and its windows overlook the buildings and water below. La Sebastiana is one of three homes owned by the poet, with the others located in Santiago and Isla Negra.”

Golden, who has just received her Ph.D. in English from the Graduate School of Arts and Sciences, won first prize in the 50th Student Book Collecting Contest sponsored by the Bibliographical Society of the University of Virginia in March She will receive her national contest honors at an awards ceremony at the Library of Congress on October 17. Her prize includes $500 and a $250 gift to the Bibliographical Society of the University of Virginia. The national contest is sponsored by the Antiquarian Booksellers’ Association of America (ABAA)Fellowship of American Bibliophilic Societies (FABS), the Center for the Book, and the Rare Books and Special Collections Division (the Library of Congress), with major support from the Jay I. Kislak Foundation.

As Golden explained in her contest essay, Neruda’s “writings traverse borders of time and space, speaking to ideas of freedom, resistance, and the power of written speech in the face of tyranny.” Golden compiled her collection in her travels on five different continents,visiting each of Neruda’s three homes in Chile, and trolling bookstores from Buenos Aires to Prague and Moscow to Australia. The result is a very extensive collection of Neruda’s works published in seventeen different countries. As Golden describes it, “the assemblage is as diverse as the regions it represents–some books are miniatures with intricate engraved text, while others are too large for traditional bookshelves. Paper covers and inserts reflect the unique colored inks of Argentinian and Chilean presses, the woodblock printings of German and Israeli artists, and the hand-sewn care of bookbinders in Hungary and the former Czechoslovakia.”  Her interest in Neruda, who “[emphasizes] the deep connections between imaginative literature and resistance,”  is fueled by her academic work in international law and contemporary world literature. She looks forward to expanding the collection “to reflect Neruda’s import across the globe.”