- Header
- Front Matter
- Article Textual Criticism and Deconstruction
- by G. Thomas Tanselle [pp. 1-33]
- Article Archival Standards in Documentary Editing
- by Ronald J. Zboray [pp. 34-49]
- Article
Two Lollard Codices and Lollard Book-Production
- by Ralph Hanna III [pp. 49-62]
- Article
"The Final Revision of Bonduca": An
Unpublished Essay by W. W.
Greg
- by Grace Ioppolo [pp.
62-80]
- Article
The Problem of Semi-Substantive Variants: An
Example from the
Shakespeare-Fletcher Henry VIII
- by Fredson Bowers [pp. 80-95]
- Article
Font Analysis as a Bibliographical Method: The
Elizabethan
Play-Quarto Printers and Compositors
- by Adrian Weiss [pp.
95-164]
- Article British Plays, 1697-1737: Premieres, Datings, Attributions, and
Publication Information
- by William J. Burling
[pp. 164-182]
- Article William Robinson, Contributor to Fielding's Champion
- by Frederick G. Ribble [pp. 182-189]
- Article From the Monthly Magazine, and British Register: Notes on
Milton, Pope, Boyce, Johnson, Sterne, Hawkesworth, and Prior
- by Arthur Sherbo [pp. 190-197]
- Article The Manuscript of Wilkie Collins's No Name
- by William Baker [pp. 197-208]
- Article
Lawrence, Garnett, and Sons and Lovers:
An Exploration of
Author-Editor Relationship
- by Mark S. Sexton [pp. 208-222]
- Article John Greenleaf Whittier in The Critic, 1881-1892
- by Arthur Sherbo [pp. 222-238]
- Article Gilbert Sorrentino's Revisions of The Sky Changes
- by David Leon Higdon and Robert F. Sheard [pp. 238-250]
- Article Correlated Type Sizes and Names for the Fifteenth Through
Twentieth Century
- by John Richardson Jr. [pp. 251-272]
- Article More on the Compositors of the First Edition of Don Quixote,
Part II
- by R. M. Flores [pp. 272-285]
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